The ladies who only work the floor
I'm curious what thoughts any of you might have about the ladies at strip clubs that don't participate in the stage rotations but work the floor for private dances or VIP room engagements. How do they stack up against the dancers? Why do they opt not to dance on stage? Is there more than one reason why some gals only work the floor?
One of the clubs that I frequent usually has about forty gals working, about half of whom are dancers participating in the stage rotation as well as working the floor for private dances or Champagne Room excursions. The other half of the ladies apparently only works the floor. As best as I can tell, the gals who never appear on stage fall into two groups. A few of them are exceptionally fine looking women who are able to attract private dances so readily from the male patrons that they're busy virtually all night long. They probably make better money doing private dances only than performing on-stage, where the $2 tippers are occasionally plentiful, but sometimes few in number. One of my favorite young ladies at the club is of that kind. She truly lights up a room with her radiant beauty. I've sometimes walked across the entire length of the room to approach a gal for a private dance after she's caught my eye from a distance.
The remaining gals who only work the floor are often gals who are attractive in one particular way but not as spectacular overall as the dancers. For example, a gal might have an exceptionally pretty face and long streaming hair but have a body too mediocre to want to bare on stage. These gals are pretty shrewd about putting their best side forward. When one of these gals approaches a guy at a table to suggest a private dance, she'll go down on her haunches so she's face to face with the guy and her figure is not really subject to examination. It would take a pretty callous patron to suggest that she first stand up and do a turn so that he can examine her before responding. After falling for that approach tactic a couple of times, I've gotten into the habit of automatically saying "No" to the non-dancers, at least initially. I can always change my mind later after watching the gal a bit from a distance.
One of the clubs that I frequent usually has about forty gals working, about half of whom are dancers participating in the stage rotation as well as working the floor for private dances or Champagne Room excursions. The other half of the ladies apparently only works the floor. As best as I can tell, the gals who never appear on stage fall into two groups. A few of them are exceptionally fine looking women who are able to attract private dances so readily from the male patrons that they're busy virtually all night long. They probably make better money doing private dances only than performing on-stage, where the $2 tippers are occasionally plentiful, but sometimes few in number. One of my favorite young ladies at the club is of that kind. She truly lights up a room with her radiant beauty. I've sometimes walked across the entire length of the room to approach a gal for a private dance after she's caught my eye from a distance.
The remaining gals who only work the floor are often gals who are attractive in one particular way but not as spectacular overall as the dancers. For example, a gal might have an exceptionally pretty face and long streaming hair but have a body too mediocre to want to bare on stage. These gals are pretty shrewd about putting their best side forward. When one of these gals approaches a guy at a table to suggest a private dance, she'll go down on her haunches so she's face to face with the guy and her figure is not really subject to examination. It would take a pretty callous patron to suggest that she first stand up and do a turn so that he can examine her before responding. After falling for that approach tactic a couple of times, I've gotten into the habit of automatically saying "No" to the non-dancers, at least initially. I can always change my mind later after watching the gal a bit from a distance.
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8 comments
Then again, a major draw for me at a strip club, is girls flirting with me table-side, with minimal outlay on my part. If they come by, sit with me, and participate in slight mutual fondling and groping, I'm happy to eventually reimburse them for their efforts by purchasing private dances or by simply tipping them at table-side. Thus, any stage set they might dance, would simply reduce the time they would have had to approach me and similar customers.
And again, I've known some real professionals who like to assess men for major earning potential, and feel that the stage takes all control of their clientele away from them. These women can almost always smell, in me, a willingly open wallet, so I am often the beneficiary of their selectivity. Hence again, stage sets are to my detriment.
It's a mixed bag. If the girl is not going on stage, then I would want her to make clear to me what her body is like in a manner that would have been clear if she had gone on stage.