Don't go to Japan for the strip clubs.
shadowcat
Atlanta suburb
The Hiroshima Daiichi Theater that day opened its door at 10:30 a.m. for a long line of people who were waiting in the rain for the last performances at a business that had been entertaining guests for 46 years.
Yoshitaka Fukuo, the 70-year-old president of the theater, watched the dancers from the side of the stage and then delivered a farewell address to the standing-room-only crowd.
“You are kindly requested to continue supporting strip theaters that are trying their best to stay open and the talented dancers who never fail to make an effort day in and day out,” said Fukuo, wearing a blue “happi” coat with printed words that read, “The Nude Hall of Fame.”
The club, famous for numerous lipstick marks on a wall from retiring dancers, is part of a vanishing industry in Japan.
According to a National Police Agency white paper, there were 320 strip joints around the country as of 1982. Fukuo estimates that only about 20 remain.
The Hiroshima Daiichi Theater opened in the city’s Yagenbori nightlife district in 1975, and Fukuo became involved in the operations in 1983.
The theater had affiliated strip joints in Kobe, Takamatsu and Okayama among other cities, he said.
But the industry started shrinking as more entertainment options became available, and strip clubs could not shed their negative image.
Many theaters closed when police cracked down on shows with “extreme” content, and people spent more time on the internet to get their sexual thrills in private.
After talking with landowners, Fukuo in 2017 decided to shut down the theater.
The demolition of the building started this month. A hotel is planned for the site.
The theater enjoyed the unexpected last hurrah after “Dancing in Her Dreams,” a fictional film featuring the theater, was made in 2019 and won an award at the Madrid International Film Festival.
The film, directed by Hiroshima native Hideyuki Tokigawa, tells a love story between the president of Hiroshima Daiichi Theater and a dancer.
Inspired by the film, young people and women started flocking to the theater.
A 24-year-old company employee who lives in Hiroshima said she first went to the club “out of mere curiosity.” But she was so impressed that she visited the theater on the final day.
“I didn’t know that such a beautiful world existed,” she said about the performances.
After the last dance, Fukuo, together with patrons who stayed until the wee hours, watched the neon signs of the theater being turned off.
Two chipped mirrors and a wire hanger were left in a dressing room on the third floor.
The lipstick marks were still visible all over the walls along the staircases leading to the stage on the first floor.
Fukuo said the end of the theater’s history hasn’t sunk in yet.
“I feel like we will hold the opening of our next show tomorrow,” he said. “It’s been completely quiet here, and I feel lonely.”
http://www.asahi.com/ajw/articles/143631…
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I think in Japan people are just stressed with trying to survive. A lot of social pressures. That takes away from sexual desire
Over some adjacent alleyways to Janjan Yokocho, you can reach Tobita Shinchi, the largest red light district in Western Japan. Before entering here, I store my camera as shooting is prohibited in these streets.
Even though the prostitution was banned in Japan in 1958, Tobita Shinchi is one of the few small nooks in this country where it is openly displayed.
After the prohibition, the brothels in the area closed for one day in order to be reopened under a “Japanese Restaurant” license. Under this pretense, they were able to skirt the laws by offering small appetizers, tea and other drinks to their customers.
The small buildings consist of two floors, the ground floor being completely open with the girls sitting on the tatami, easily seen by passersby. This is likely the only place in Japan this kind of business is conducted so publicly, similar to the red-light district in Amsterdam.