sinclair's Review

I went to French Quarter at 23:00 on a Wednesday night and 20:45 on a Friday night. There is always a $20 cover charge at the door. They ask you to sign your name on a sheet of paper at the door. The club is BYOB. You can bring in beer and hard liquor in aluminum and glass. I generally would tow in my own cooler full of Sincweisers, Jagermeister, drinks I knew specific dancers there liked, and ice. The club sells buckets of ice to put your drinks in for $3. Smoking is allowed inside, and the secondhand smoke can get unbearable. One of the most important things to mention about this club is the fact there is no ATM, so come prepared with a lot of cash. The club wants to run credit cards, which I assume they add fees to. You are given a wristband when you pay the cover charge, so theoretically you could run out of the club to hit an ATM.

There is one stage toward the back right side of the room. It has a single pole. Dancers would do two song sets. Early in the evening, one song had to be classic rock or oldies, and the second song could be anything the dancer wanted per the eighty-something year old owner. Later in the evening, dancers could play whatever they wanted. Dancers only got topless on stage, but a couple flashed the beaver. When I was here in 2022, there wasn’t any stage contact. This time around, the playbook has greatly opened up. I was tipping girls in their g-strings, groping, and smacking asses.

There is a wide variety of dancers here in terms of body types, ethnicities, ages, and breast sizes. A few of the dancers are local, but most seem to commute from the Little Rock area. Last year there were some attractive young black dancers here that I feasted on, but all of the ebonies seemed to be older and big-bodied this go-around. On my Wednesday visit, an African-American dancer got angry when a guy in a suit turned down her VIP offer. She ended up screaming in his face and throwing a drink at him. The customer got escorted out, although the escalation was mostly not his fault. There were fifteen to twenty dancers working on both of my visits.